works

Anonymous Man (2017) 58'

SATB -- 24 voice min.

The Crossing, Donald Nally - conductor

Program Note Libretto Video Recordings rent music score preview More Info

works

Van Gogh (1991) 63'

Text by Michael Gordon (based on the letters of Vincent Van Gogh)

Cast: S,T,B,cl(bcl),perc,egtr,pn,vn,va,vc,db

New York State Council on the Arts

Program Note Recordings rent music score preview More Info

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writing

The Accidental Music Lesson

January 25, 2010

In a way, this is a tale of two cities

This past November I went to my hometown, Miami Beach, for a performance by the New World Symphony of my orchestral work, Gotham, a three-movement symphony that takes the city of New York as its subject. It is part of an ongoing project of ‘film symphonies’ that I am creating with filmmaker Bill Morrison to capture the aura of cities.

My family moved to Miami Beach from Nicaragua when I was eight years old…

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interviews

NPR Interview with Michael Gordon: El Sol Caliente premiere

January 29, 2015
WLRN’s Alicia Zuckerman interviews Michael Gordon and film maker Bill Morrison about their work El Sol Caliente.

Listen to an audio piece about how composer Michael Gordon and filmmaker Bill Morrison work together and what went into their 13th collaboration, inspired by the 100th anniversary of the city of Miami Beach.

The composer Michael Gordon and filmmaker Bill Morrison have been fusing their visions for upwards of 17 years …

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page

Biography

Michael Gordon’s music merges subtle rhythmic invention with incredible power embodying, in the words of  The New Yorker‘s Alex Ross, “the fury of punk rock, the nervous brilliance of free jazz and the intransigence of classical modernism.”

Over the past 30 years, Gordon has produced a strikingly diverse body of work, ranging from large-scale pieces for high-energy ensembles to major orchestral commissions to works conceived specifically for the recording studio…

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news

House Music premiere featured in NY Times

When a Critic Hosts the Premiere
[link to article]

Zachary Woolfe
February 14, 2020

“Please silence your cellphones.”

There are few phrases I hear more often in my life as a music critic. But it was strange — like a child playing dress-up — to speak the sentence myself, and in the incongruous setting of my own living room on a rainy evening earlier this week…

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