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Liquid Music

Available now on iTunes and (in stunning wooden case) at Cantaloupe Music. Listen to NPR’s All Things Considered review.

Timber’s wooden CD case

a 10min video about Timber

On August 30, Michael Gordon’s new percussion sextet, Timber, is released in a very cool wooden CD case on Cantaloupe Music, but is available now for download through iTunes…

On May 7, London’s Barbican Centre presents the BBC Symphony in the UK premiere of Michael Gordon’s Rewriting Beethoven’s 7th Symphony. Commissioned by the Beethoven-Bonn Festival and premiered by the Bamberger Symphoniker in 2006, Gordon’s remarkable re-imagining filters one of the classics of the classics through the lens of the 21st-century. Not looking to improve on the work’s timeless quality, but to imagine ‘what if someone unknowingly used this material in the course of writing his or her new work?’

Gordon writes:

Read more…Beethoven’s brutish and loud music has always inspired me…

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Michael Gordon’s remarkable and critically acclaimed work for orchestra, Decasia, receives its United Kingdom premiere on October 14 during the Southbank Centre’s Ether Festival.

In Decasia, Gordon transforms the sound of the orchestra into a hazy and blurred sonic experience, as if it were “covered in cobwebs, with instruments that had been sitting for a hundred years, creaky and warped and deteriorated, and the musicians happen to come by, pick them up and play.”

Inspired by images from decaying archival film uncovered by filmmaker Bill Morrison, Gordon’s Decasia is an orchestral masterwork for the 21st century…

On March 25, Cantaloupe Music releases Michael Gordon’s latest CD, Rushes. From March 26 – 29, Michael Gordon’s Rushes, for 7 bassoons, goes on tour in the Northeast culminating in a much-anticipated performance at Peak Performances at Montclair State University.

March 26: Tufts University
March 28: Crane Arts Center
March 29: Peak Performances

Gordon describes the concert-length, mesmerizing work:

Years ago I pursed my lips and blew into a bassoon, and felt the entire instrument buzz as I droned on the very bottom note, a B flat…

On June 3, John Kennedy and the Spoleto Festival Orchestra present the US Premiere of Michael Gordon’s monumental Rewriting Beethoven’s Seventh Symphony.

Commissioned by the Beethoven-Bonn Festival and premiered by the Bamberger Symphoniker in 2006, Rewriting Beethoven’s Seventh Symphony filters one of the classics of the symphonic repertoire through the lens of the 21st-century. Not looking to improve on the work’s timeless quality, Gordon imagined “what if someone unknowingly used this material in the course of writing his or her new work?”

Gordon writes:

Beethoven’s brutish and loud music has always inspired me…