It’s been a long time coming, but Shelter is finally here!

The latest collaborative work by Michael Gordon, David Lang, and Julia Wolfe is a modern oratorio that reunites the Bang on a Can founders with Deborah Artman (author of the libretto for 2001’s Lost Objects). Produced by Michael Riesman, this premiere recording was performed by Ensemble Signal under the baton of conductor Brad Lubman, and features solo voices Martha Cluver, Mellissa Hughes and Caroline Shaw…

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On June 16 at Korzo Theatre in Den Haag, The Netherlands, the Dutch percussion group Slagwerk Den Haag gives the world premiere of Michael Gordon’s percussion sextet, Timber, an evening-length tour de force.

Scored for six graduated wooden 2x4s, or Simantras (Greek liturgical percussion instruments used by French composer Iannis Xenakis), the work brings the physicality, endurance and technique of percussion performance to a new level…

On November 14 at the Yerba Buena Center for the Arts, the percussionists of the San Francisco Contemporary Players perform Michael Gordon’s acclaimed, hypnotic, epic concert-length work Timber for 6 percussionists.

Scored for six graduated, amplified, wooden simantras (2x4s) the work brings the physicality, endurance and technique of percussion performance to a new level. In this work, Gordon shapes the music in both polyrhythmic and dynamic waves of textures — often each players’ hands are in separate rhythmic ‘worlds’, each traversing a different dynamic contour from loud to soft to loud, similar in some respects to his solo for percussion, XY…

Available now on iTunes and (in stunning wooden case) at Cantaloupe Music. Listen to NPR’s All Things Considered review.

Timber’s wooden CD case

a 10min video about Timber

On August 30, Michael Gordon’s new percussion sextet, Timber, is released in a very cool wooden CD case on Cantaloupe Music, but is available now for download through iTunes…

From May 11-19, Long Beach Opera stages Michael Gordon’s opera Van Gogh.

Based on Vincent Van Gogh’s letters to his beloved younger brother Tlusteheo, an art dealer and often Vincent’s sole means of personal and financial support, Gordon’s powerful opera has been praised by the San Francisco Chronicle as “puls[ing] with a distinctive brand of emotional energy that is hard to resist.”

Gordon writes:

I started composing Van Gogh because of my obsession with the letters Vincent Van Gogh wrote to his brother Theo…