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What Kind of Music Is This Anyway?

March 5, 2007

(…) I have always felt uncomfortable with the word “classical.” It sends an instant message to most people that you are involved in something other. And, vainly, I am very aware that classical music has the squarest image on the planet. A bigger problem is that my music is not what most people think of as classical music. It doesn’t sound like Mozart, it is not genteel, will not serve as pleasant background music at a dinner party, and it can not be used to sell a Mercedes…

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Road Trip (2017) 60'

music by Michael Gordon, David Lang, and Julia Wolfe

cl, pno, perc, egtr, vc, db

Road Trip was commissioned by BAM for the 2017 Next Wave Festival and by Stephen A. Block, Robert Braun & Joan Friedman, Leslie Lassiter, Raulee Marcus, New Music USA, Maria & Robert A. Skirnick, Jane and Richard Stewart, with additional support from Jerry Eberhardt and Phil Hettema.

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Gotham (2004) 27'

2(afl.pic).0.2.0/2.3.2.0/2perc.pf.egtr.5str-ebgtr/str(min.33331)

American Composers Orchestra

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Dana Jessen, bassoonist, on commissioning Rushes

Commissioning Rushes
by Dana Jessen

http://www.newmusicbox.org/articles/commissioning-rushes/

As musicians, we frequently talk about the process of composing music. Most often we discuss the various methods a composer goes through to realize his or her work. Yet there is another facet of such an undertaking that often isn’t discussed—the performer’s side of commissioning a large-scale work. On September 15th, six colleagues and I gave the world premiere of Rushes, a new 60-minute composition for seven bassoons by Michael Gordon…

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