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Rushes for 7 bassoons world premiere at EMPAC in Troy, NY

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On Saturday, September 15, Michael Gordon’s newest work, Rushes for 7 bassoons, is premiered by the Rushes Ensemble at the Experimental Media and Performing Arts Center in Troy, NY.

The new work is a 60+ minute tour-de-force that takes some inspiration from his recent work for percussion, Timber. In the new work Gordon shifts polyrhythmic material not only through timbre and dynamics, but by weaving melodic lines into the kaleidoscopic waves of rhythmic texture…

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Decasia 20th Anniversary

20 years ago, just a few months after the world-changing events of 9/11, Michael Gordon traveled to Switzerland to see the Basel Sinfonietta and conductor Kasper de Roo premiere his concert-length work for orchestra, Decasia, which accompanied a film by Bill Morrison — now itself a cult classic that is studied in film schools around the world.

View the score, watch film excerpt, and listen to complete work, click here

“The music’s purely visceral power [is] hard to resist.” — The New York Times

“…its incessant pulses – by turns buoyant and threatening – support a sound world in which the amplified instruments, carefully tuned microtones apart, create layers of fiercely dissonant harmony, punctuated by beats and difference tones…

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Manchester Collective’s video premiere: Weather

Michael Gordon’s 1997 string orchestra work, Weather, is brought to life in a musical tour-de-force — a brand new collaboration between the UK’s Manchester Collective, award-winning BBC documentary sound artist Chris Watson and Spanish filmmaker Carlos Casas.

On Thursday October 13 the Manchester Collective premieres a video of their collaboration. Combining live performance, field recordings and film, the collaborators transport the audience from an East Asian rainforest to the world’s oldest desert; from an Icelandic glacier to the sunken medieval town of Dunwich off the English coast…

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Biography

Michael Gordon’s music merges subtle rhythmic invention with incredible power embodying, in the words of  The New Yorker‘s Alex Ross, “the fury of punk rock, the nervous brilliance of free jazz and the intransigence of classical modernism.”

Over the past 30 years, Gordon has produced a strikingly diverse body of work, ranging from large-scale pieces for high-energy ensembles to major orchestral commissions to works conceived specifically for the recording studio…

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